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Orchestral
Cover the Walls (2018) for orchestra (2.2.2.2 – 1.1.1.1 – timp, perc, harp, strings) – 8 min
Where the I Comes From (2018) for soprano & orchestra (3.3.3.3 – 4.3.3.1 – timp, 4 perc, harp, celest, strings) – 11 min
Night & Day (2017) for orchestra (3.3.3.3 – 4.3.3.1 – timp, 3 perc, harp, celest, strings) – 7 min
Large Ensemble
Cover the Walls (2018) version for flute, bass clarinet, horn, 2 violins, viola, cello, piano and percussion – 8 min
Black and Blue (2018) for winds (1.1.1.1), strings (1.1.1.1.1), trumpet, horn, harp, percussion, and electric guitar – 7 min
Choral Works
In the Quiet of Night (2022) for SAB choir with anonymous Chinese poetry translated by Genny Lim – 5 min
In the Quiet of Night (2022) for SAA choir with anonymous Chinese poetry translated by Genny Lim – 5 min
I see you, I hear you, I believe you (2021) for SSSAAA choir – 7 min
Over a Hundred Poems (2019) for SATB choir with anonymous Chinese poetry translated by Genny Lim – 5 min
Vocal - Solo
Where the I Comes From (2018) version for soprano & piano – 11 min
Three Hundred Bucks (2017) for soprano and piano with text by Dan Ellentuck – 3 min
The Day is Done (2011) for soprano and piano with text by Henry Wadsworth Longfellow – 4 min
Coração Numeroso (2010) for mezzo-soprano and piano with text by Carlos Drummond de Andrade – 7 min
Sapphic Songs (2009) for soprano, clarinet, viola and cello with text by Elsa Gidlow – 8 min
The Fall (2008) for soprano and piano with text by Cammy Thomas – 4 min
Cante Jondo (2008) for mezzo, clarinet and cello with text by Federico García Lorca – 6 min
La Poesía (2005) for soprano, violin, cello and piano with text by Pablo Neruda – 10 min
Small Ensemble
Unwinding V (2021) for violin, viola, cello, flute, clarinet, vibraphone and piano – 7 min
Unwinding III (2019) for violin, cello, flute, bass clarinet, marimba and piano – 6 min
Jangdan Remix (2019) for traditional Korean instruments (jeongak daegum, geomungo & sanjo gayageum) – 3 min
The Last Circus (2017) for trombone quartet – 5 min
In Transit (2017) for flute, guitar, cello and tape – 10 min
Unwinding II (2017) for string quartet – 9 min
IMPACT (2016) for brass quintet – 6 min
Unwinding (2016) for violin, viola and cello – 10 min
Unwinding III (2019) for flute, clarinet, violin, cello, piano and percussion – 8 min
A girl like you (2015) for flute, viola, harp and tape – 8 min
Awakenings IV (2014) for flute, viola and harp – 6 min
Awakenings I (2013) for piano, clarinet and video – 6 min
Emerald Meditations (2013) for string quartet – 6 min
Solo (Instrumental)
Suite for Solo Viola (2022) for viola – 8 min
Finding Bliss (2021) for cello & tape– 7 min
I should have taken the train (2018) for piano & live electronics – 8 min
Sunrise (2017) for solo alto flute – 5 min
Playing with Fire (2017) for bass trombone and piano – 3 min
Reflections on Rothko (2016) for solo viola with live electronics and video – 8 min
Sonnet XX (2014) for solo cello – 8 min
Blue Tangerine (2008) for piano and tape – 3 min
Catch (2007) for solo clarinet in B♭– 4 min
Soliloquy (2007) for solo piano – 6 min
Turquoise (2007) for solo marimba – 5 min
Sound Design
Sunday in the Park with George (2023) co- sound design for Pasadena Playhouse directed by Sarna Lapine
The Wickhams (2022) co-music and sound design for Arizona Theatre Company directed by Veronka Duerr
Holiday (2022) co-music and sound design for Arena Stage directed by Anita Maynard-Losh
Sky on Swings (2022) co- sound design for the Saratoga Opera Festival composed by Lembit Beecher and directed by Lawrence Edelson
King Lear (2022) co-music and sound design for the Wallis-Annenberg directed by John Gould Rubin
Head Over Heels (2021) co-sound design for Pasadena Playhouse, directed by Sam Pinkleton and Jenny Koons
Stonewall (2019) co-sound design for New York City Opera directed by Leonard Foglia
Native Gardens (2018) co-sound design for a Merrimack Playhouse production directed by Giovanna Sardelli
Dance & Theatre
Rondo Variations (2016) for solo cello with electronics and dancers – 14 min
Souvenir (2016) for prepared piano, cello, live electronics, video and two actors – 60 min
Kid Simple: a radio play in the flesh (2014) for amplified live foley (in collaboration with Sivan Eldar) – 1h 30 min
Reflections (2010) for cello, percussion and dancer, with live electronics and video – 10 min
Kawa to Deai (2011) electronics, choreography by Bryerly Long at the Atelier Shunpunsha in Tokyo – 70 min
Surya Namaskara (2010) for Amplified Alto Sax, Cello, Percussion, 2 dancers and live video – 14 min
Passacaglia (2010) for solo cello, choreography by Emery LeCrone at the Manhattan Movement & Arts Center – 5 min
The Second Coming (2008) for alto sax, piano and drum kit, choreography by Bryerly Long at Oxford University – 12 min
Film & Installations
Here Come the Warm Clouds (2021) for violin, cello, electric guitar and percussion – 7 min
Constructive Interference, Mon Ami (2020) for clarinet, violin, cello, piano & percussion - 3.5 min
Chromatic Counterpoint (2016) for painted metal sheets with transducers in collaboration with the painter Amy Kang.
Inner Landscapes (2016) for viola, live electronics and a transducer-activated painting – 9min
